On That Note - Gr8s from the 8s - 1968

MeanDean

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Gr8s from the 8s -1968

Welcome to another offering of On That Note. A weekly music discussion thread from myself, @cyclones500 and @CycloneRulzzz.

Last week's post was from '500 - the topic was Dynamic Duos. Link: https://cyclonefanatic.com/forum/threads/on-that-note-dynamic-duos.238553/

This week we are starting a topic series also suggested by cyclones500 - Gr8s from the 8s. A look back at the best albums released on anniversaries of this year, 2018 (yes, this is 2018!) We arrived at a starting point of 1968 - since the LP as a cohesive musical concept piece was, by then, considered a valid notion.

Since I'm the old man here and missed my turn for OTN last week I'm kicking the series off.

We'd really like to keep it to ONLY albums RELEASED in 1968 please.

To that end I'm providing a couple links to prime the mental pumps of readers to chime in with their favorites. I'd like to see up to 3 per person but if you have one in mind please don't hold back, post it! Also maybe add some commentary - either why you like it musically or maybe it has some historical or emotional connection to your life or a person/place in your past. I do love to hear those connections - as the ones I have mean a lot to me. I am not ranking my 5 - that's too much like picking a favorite child. Just too hard for me. But don't let that hold you back if you feel like you want to do that.

https://www.besteveralbums.com/yearstats.php?y=1968

https://digitaldreamdoor.com/pages/albums_by_year/albums_1968.html

A caveat: to be brutally frank this is NOT my wheelhouse. If you've followed the series you probably realize I'm more of a song/singles guy. For LP's I tend to not get the same enthusiasm I do for a hot single release. I'd like to hear the really good songs (usually the single, but not always) rather than hear one or two really good songs and the rest okay (with the occasional giant clunker thrown in). So I will tend to rank an LP based on overall listen-ability of the disc, where a bad song tends to pull it out of contention. [And then after saying that, two of the five below DO have the clunker - the song that you immediately hit the SKIP button when it starts.]

I really had a tough time limiting it to 5. One not listed, in particular was tough to cut.

The Doors - Waiting for the Sun

This is the only LP of the group that I actually listened to in full in 1968. Realize I was 12 years old for most of the year and lived in a rural Iowa. And I had almost no money to spend on records. This LP was actually owned by the family who lived across the road and we would often borrow/exchange music for variety. I also remember my father walking in during "Love Street" and commenting on the line, "I wonder what they do in there," with a very lecherous tone, "I know what they do in there!"

This is chronologically the group's third LP and considered a lesser offering than their second (Strange Days, which is considered slightly less great than their first). I'm not actually a huge fan of the Doors. A fan, yes. But mostly it's included here because of the personal memories for me.






The Beatles - The Beatles (White Album)

Made up of compositions mostly written on their trip to India. Over history I've noticed a typical review of the LP generally contain two thoughts. 1. This is not the Beatles being a group but more the beginning of the end - acting as session men on the other members' songs. I personally downplay this; I contend that trend had already begun. 2. The better of the 30 songs should have been culled to make a single stronger LP. I also downplay this as literally every reviewer who says this either neglects to list the songs he/she would eliminate, or lists songs that I personally would definitely include in a single disc. (That would make an interesting OTN topic... which songs would YOU eliminate from the White Album to make it a single disc? Revolution 9, sure... but then what?)

The other thing pointed out by reviewers is - this appears to be the point where George comes into his own as a composer. On that point I will agree. His 4 songs, one per side, are the equal to those of John and Paul. And coaxing buddy Eric Clapton to play lead on While My Guitar Gently Weeps was genius.







(Part 2 below)
 

MeanDean

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Part 2:

The Zombies - Odessey and Oracle

If you follow this series you know I'm a Zombies fan. This was one of two LP's on my list that were largely ignored by the record buying public upon release. That was somewhat remedied in early 1969 when miraculously Time of the Season was picked up by a station in Boise, ID then slowly caught on nationally to make the top ten in March. The song's inclusion on the LP boosted sales causing it to bounce around the lower reaches of the Billboard album charts. But as sometimes happens, quality is slowly recognized by word of mouth and slowly the appreciation for the group - and especially this album - has grown putting it now up there where, IMHO, it belongs.

For me the clunker is Butcher's Tale (Western Front 1914). But then I continuously see fans who love it so what do I know? I guess it's like art. I don't know art, but I know what I (don't) like.

All the other cuts are varying degrees of 60's pop/psych brilliance! My favorite being Hung Up on a Dream. Beyond the lyrical imagery the music is just so inspiring to me! The between verse segments like the one from 0:48 -1:20 are some of my favorite snippets of music ever!



This commercial featuring Tiger Woods put together by Nike at the passing of his father used an abbreviated version of This Will Be Our Year for the montage.

And true confession fantasy time - If somehow I KNEW an ISU team would win the conference (or God help me, natty championship) at the beginning of the year I'd post the song at the end of every game day thread. Of course I can't ever know that, but love the idea, anyway.




Van Morrison - Astral Weeks

To be honest, this is not even my favorite Van Morrison LP. That spot belongs to Moondance. And I will say that the The Best of Van Morrison collection has probably logged more minutes in my CD changer since 1990 than any other, regardless of artist.

That said, this is truly an iconic LP. Thematically 100% intact. And this one does not have a clunker. My slight criticism might be that it is all TOO alike. The artist himself has said he wished he would have varied the content a bit more. And he's alternately claimed/accepted it's elevated status in the annals of popular music and also dismissed it. Some would say, "Van gonna Van."

The other amazing thing - it was recorded in basically 3 four hour sessions with musicians both unfamiliar with Van Morrison and the music. With no rehearsals. And no charts. And Van was inside the booth singing and playing acoustic guitar - while the session guys were separated from him outside the booth in the studio. AND the content of the album was culled from only the first and last sessions (though some reports state one song was from the second session.) These were jazz musicians whose skills were evident.

This one, like Odessey and Oracle was not a sales or critical success at the time of it's release. Sweet Thing is probably the most accessible track on the record, while Madam George is the opus (originally entitled Madame Joy - that is what it sounds like he is singing on the track, to me anyway.)





(Part 3 Below)
 
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MeanDean

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Part 3

Aretha Franklin - Lady Soul


This one isn't anything like a 'concept' album. Just a collection of awesome soul offerings. My favorite Aretha album. Wowser! (You Make Me Feel Like) A Natural Woman, Chain of Fools, and the double sided single Sweet Sweet Baby (Since You've Been Gone)/Ain't No Way. Fill in some awesome covers of People Get Ready and Groovin. Then toss is a remake of the UK only hit by PJ Proby, Niki Hoeky. Finish it off with Money Won't Change You and Come Back Baby. All in that Queen of Soul Atlantic label groove. Yeah, this is a damn good listen.

Not the most popular cut but one that I'm really fond of is Ain't No Way. Written by Aretha's sister and with back up singers including Cissy Houston whose high soprano never ceases to amaze me (at 1:05). Goose bumps, man!




Our family got our first real hi fidelity stereo Christmas '64 - where my submersion into music began. But another big deal was getting my very own table top radio for Christmas in 1967. MeanDean was now able to listen to KAAY (The Mighty 1090) evenings alone in his room. One of those songs blasting early on was Sweet Sweet Baby (Since You've Been Gone) and to this day probably the first song other than Respect I think of when I think of Aretha.

 
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MeanDean

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A smattering of historical happenings in 1968. To maybe give the music some perspective or jog the memories of some of us oldsters:

Green Bay defeated Oakland in Super Bowl II (Held at the Orange Bowl in Miami)
Detroit Tigers defeat the St. Louis Cardinals in 7 games, coming back to win after trailing in the World Series 3-1.
November 17 - NBC began showing Heidi at its scheduled time, preempting the dramatic end of the Raiders/Jets game.

TV: Rowan and Martin's "Laugh In" premiers
60 Minutes premiers
Hawaii Five-O premiers

Film: 2001 A Space Odyssey premiers

Winter Olympics were in Grenoble France
Summer Olympics (held in October!) in Mexico City; Bob Beamon breaks the World record in the long jump by almost TWO FEET.

Yale University announces it will accept female students.
Led Zeppelin makes their first public appearance (Oct/UK) and first US appearance (Dec, Denver).
Tribal rock play "Hair" opens on Broadway.
Frankie Lymon dies of heroin overdose.

Martin Luther King assassinated in Memphis in April
Robert F. Kennedy assassinated in San Diego in June
Viet Nam Dominated the news
Democratic National Convention/Riots in Chicago
Richard Nixon elected, defeating Hubert Humphrey and Alabama Gov George Wallace, running as an independent.
 

cyclones500

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To steal from Monty Python: “And now, for something completely different.” :)

Velvet Underground

White Light/White Heat (released January 1968, Verve)

I consider this the least-essential of VU’s four original studio releases, and it’s definitely the most impenetrable.

Compared to the group’s debut, “The Velvet Underground and Nico,” the most extreme fringes of WL/WH make “Heroin” and “Venus in Furs” sound like The Beach Boys. This was the last recording session with co-founding member John Cale, and released after the group parted ways with Andy Warhol and Nico.

I have an internal joke about "White Light/White Heat." It’s notable to the point that I cannot recommend it to anyone. ;)Therein lies its brilliance.


Key tracks



The most "normal" track on the album (and quite pleasant on its own):




In retrospect, nothing super-unusual about the following song — until it becomes ... unusual.



Further listening:
* If you want a trippy short-story-on-tape, grab the headphones for “The Gift.”
* “Sister Ray,” the 17-minutes-plus closer, is worth sampling once. If you don’t want to hear it again after that, it’s up to you. :)
 
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SCyclone

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TRAFFIC
(Released October 1968 on Island Records)

Dave Mason joined Steve Winwood and Jim Capaldi for Traffic's second album (after Mr. Fantasy) and added some pop flavor to Traffic's mostly jazz fusion sound. Mason wrote almost half the songs on the album, but didn't really contribute to Winwood and Capaldi's efforts.





For my money, "The Low Spark of High-heeled Boys" was Traffic's best. We listened to it endlessly in college.
 

matclone

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The Band--Music from Big Pink

Possibly my favorite album of all time. Five guys, all who were in synch and contributing to the music on this album.



The Fantastic Expedition of Dillard and Clark

A classic record showcasing the great songwriting of Gene Clark, who had previously been a principal songwriter for the Byrds (e.g., 8 Miles High). I discovered this record because a couple of these songs (With Care from Someone, In the Plan) showed up on New Grass Revival records--I liked them and wondered where they came from. The Eagles would later cover A Train Leaves Here this Morning,



Quicksilver Messenger Service

A key contributor to the San Francisco sound, including the fantastic lead guitar of John Cipollina. I wouldn't count the album as a whole as one of the greats, but here, finally, is my opportunity to post one of my favorite songs of all time. I was age 11 or 12 when I heard this on KIOA for the first time, and I was smitten by a girl (for the first time) and the lyrics played right into how I felt.

 
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SCyclone

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STEPPENWOLF
(Released in January 1968 on ABC/Dunhill)

Debut album for the Canadian hard rock band, which contained a song that became theme music for bikers and the easily recognized anthem from the movie "Easy Rider". (Also was my graduating class's theme song as well. ;)) "The Pusher" also quickly flowed into that time period's lexicon, a song written by none other than Hoyt Axton.



(Lyrics in the following NSFW)
 

cyclones500

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Music-history 1968: Upcoming/outgoing

Notable bands formed: Black Sabbath (as Earth); Crosby, Stills & Nash; Deep Purple; King Crimson; Led Zeppelin; Nazareth; Rush; Yes (late-68/early-69).

Groups that disbanded: Buffalo Springfield (reformed 2010-12); Cream (brief reunions in ’93 and 2005); The Yardbirds (reformed in 1992).

Source: Mostly Wiki
 

MeanDean

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The Band--Music from Big Pink

Possibly my favorite album of all time. Five guys, all who were in synch and contributing to the music on this album.



The Fantastic Expedition of Dillard and Clark

A classic record showcasing the great songwriting of Gene Clark, who had previously been a principal songwriter for the Byrds (e.g., 8 Miles High). I discovered this record because a couple of these songs (With Care from Someone, In the Plan) showed up on New Grass Revival records--I liked them and wondered where they came from. The Eagles would later cover A Train Leaves Here this Morning,



Quicksilver Messenger Service

A key contributor to the San Francisco sound, including the fantastic lead guitar of John Cipollina. I wouldn't count the album as a whole as one of the greats, but here, finally, is my opportunity to post one of my favorite songs of all time. I was age 11 or 12 when I heard this on KIOA for the first time, and I was smitten by a girl (for the first time) and the lyrics played right into how I felt.



Music from Big Pink was the LP I ended up NOT covering in my original write up. At this point in my life I do like it better than the Doors Waiting on the Sun, but was more driven by the emotion/memory of my history with the Doors LP.

Cool to think KIOA played Quicksilver Messenger Service. One of those bands you see on all those psychedelic San Francisco Fillmore West posters, that I am not really familiar with as far as their musical output. Thanks for posting!
 
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jbhtexas

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My Dad had this album, and listened to it a lot. It was a typical TJB album, with some covers, and some original stuff, but I think it is one of the better TJB albums. The Beat of the Brass was released to coincide with Herb's 1968 TV special of the same name.

Slick is probably my favorite Herb Alpert tune.


This is a nice vocal ballad that went to #1 for Herb.


Another pretty good original tune...
 
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madguy30

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I prefer Astral Weeks...great summer album.

This thread is a good reminder of how music just blew up in the 60's and kept it full throttle.
 
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cyclones500

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The Monkees
Head (released Dec. 1, 1968, Colgems (in U.S.)

I can hear the scoffing. “Hey, hey we're the ... WHAT?” Well, first, give me a break, I was 4 years old when it was released. But I don’t use that as an excuse.

This is a soundtrack, not a “proper” studio album, so it may violate the topic premise. “Head” the film has highs and lows, and is highly dated, but the songs have aged more gracefully.

The movie was received poorly on two fronts (beyond weak box-office performance and mixed critical response): The band attempt to shed its pre-fab TV image & myth (alienating much of its core audience) and the more mature/counterculture segment it tried to tap largely reacted with a shrug.

The album, though, is another matter. “The Porpoise Song” is mesmerizing, and the LP is a good balance of steady and varied. The weakest link is “Daddy’s Song,” a Davy Jones cheese-showcase that’s so-Davy it works. And in the film, they poke fun at it, following Davy’s performance:



“Head” The Album is an effective mix of “new serious Monkees,” but playful elements harkening “Zilch” and the Saturday-morning sketch show make their way seamlessly into song transitions lifted from the movie dialogue (such as “Ditty Diego,” “War Chant,” Gravy” and “Dandruff.”)

Key tracks:

The Porpoise Song (Theme from “Head”)



Circle Sky --- footage from the movie, a blend of images that juxtaposes the pre-fab myth with the world at large.




As We Go Along. To my ears, the most underrated song the band ever recorded (or at least tied for first with “Randy Scouse Git”).




Footnote
The Monkees also released an album earlier in 1968, “The Birds, The Bees and The Monkees,” which went to No. 3. It was the first album when the band attempted to purge its pre-fab reputation (and its first LP that didn’t hit the top of the charts).

It has outstanding moments: “Daydream Believer” and “Valleri” are among my favorites, but both were recorded a year prior to release, “Valleri” for the TV series, Daydream Believer was omitted from “Picies, Aquarius, Capricorn & Jones Ltd.” TBTBATM also includes the underrated Nesmith excursion “Tapioca Tundra,”

Despite the high points, it takes fewer chances than “Head” and is less satisfying to me as a whole.
 
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cyclones500

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Commenting on these mostly spot-on observations:

Over history I've noticed a typical review of the LP generally contain two thoughts.

1. This is not the Beatles being a group but more the beginning of the end - acting as session men on the other members' songs. I personally downplay this; I contend that trend had already begun.

2. The better of the 30 songs should have been culled to make a single stronger LP. I also downplay this as literally every reviewer who says this either neglects to list the songs he/she would eliminate, or lists songs that I personally would definitely include in a single disc.

1. I agree the trend toward solo-ism started perhaps two years earlier, after the touring ended in 1966 and the Beatles went their separate ways for a few months; then, after Brian Epstein died and Paul attempted to take up the reins and keep the group's momentum.

2. Certainly, the album would be stronger by purging some chaff to make a single-disc release. But sprawling, unfocused songlist that encompasses numerous music styles explored by the individual members is what makes it unique. A thought experiment: How many songs can we eliminate before it's no longer The White Album?
 
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