Wikipedia is calling Rolling in the Deep soul because they’re racist, somehow. That’s all I can think to explain it. Well, that or maybe it is my belief that soul/R&B/rock-and-roll have a massive overlap?
Massive but not total. You'd think the greatest all-time "ballsy rock song" would at least unambiguously display the usual characters of a rock song and not be a blues-tinged soul power ballad, no?
A few other possible contenders that came to mind are labeled as some type of "rock."





I also think I-vi-IV-V is the perfect progression for 2-3 minutes of pop bliss, be it the Marvelettes or the Misfits.
I'm not sayin' never do it.
There are definitely a lot of great four-chord vamp pop songs out there. Heck, most of the blues canon and the rock derivatives of it use three chords and the normal 12-bar structure.
But when you do it on most of the songs on an album... and then album after album... it gets kind of stale. Maybe you have one or two songs that can break through as pop classics because of a memorable melody and lyrics, strong marketing, and incumbent fans, but everything else sounds like bland filler.
Swift released her first album in 2006 and is about to release #12. And all of them basically do the same thing at the foundation of her songwriting with the harmonic structure. You can still pluck most of them out on a guitar or plink most of them out on a piano and make the songs go with the same patterns over and over again. Obviously it works for her, a billionaire, but eventually I'd get bored with that level of repetition.
But it is easy to write songs that way and easy to listen to 'em like that if you just want a pop bop, which describes most of her audience very well. I would just like to see a bit more growth.
Bruce’s only #1 song was played by someone else, and it wasn’t even Patti Smith (it was Manfred Mann’s Earth Band playing Blinded by the Light).
Kinda crazy, actually.
Which brings me to my next hot take: Jack and Diane , which did hit #1, is a more interesting record than anything Bruce ever recorded.
I've always thought the best version of any Springsteen song was the Band's late-career, post-Robbie Robertson cover of "Atlantic City." Levon's voice and Garth's accordion make anything better.
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