On That Note: Unsung Heroes

cyclones500

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Jan 29, 2010
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Welcome back to MeanDean/cyclones500 weekly music series. This week, my focus is on vocalists I consider underrated, under-appreciated or relatively “unheard.”

I’ll present some of mine in multiple segments. Feel free to add more, past or present, any genre. Backing vocalists/harmony teams are fair game.

My first segment coming shortly, in a follow-up post.
 
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Steve Miller

I’ve long considered Miller one of the classic rock era’s least-appreciated singers. I deliberately chose examples that aren’t his best-known work, to help zero-in on the vocal aspects. Admittedly, these span only a narrow portion of his career. Feel free to expand on it.



I like the variance in his vocal range here.


A mellow/laid back example. Smoothness.
 
Keith Richards — Keef!

Two samples w/Richards in lead/primary singer role. Doesn't even scratch the surface of his contribution to Rolling Stones with his ragged backing-vocal augmentation (or guitar-playing, songwriting and rock persona, obviously — but this week's topic is about Singing!!)



 
Keith Richards — Keef!

Two samples w/Richards in lead/primary singer role. Doesn't even scratch the surface of his contribution to Rolling Stones with his ragged backing-vocal augmentation (or guitar-playing, songwriting and rock persona, obviously — but this week's topic is about Singing!!)


I like the live version by Richards and the X-Pensive Winos
 
Cilla Black is a very interesting story. From starting out as a singer/coat-check girl at the Cavern in Liverpool to changing her name from Cilla White to Cilla Black on John Lennon's recommendation.

She did quite well in the UK. I really, for years, paid her little mind. Basically thought of her as a demure Brit girl who rode the Lennon/McCartney/Liverpool/Beatles coattails to limited fame. And I thought her voice a bit too 'harsh' for my tastes.

One day when doing a bit of Youtube surfing - looking at Bacharach/David songs, I stumbled across



Which sent me on a mission to re-evaluate my thinking.

Found out she went from the demure/shy little Brit girl from the North of England to one of Britain's favorite personalities, hosting multiple game shows for decades. And bawdy as hell! I even got and read her biography.

But the song I am posting today is this version, the original version of 'Alfie'.

From Wikipedia:

"Black was invited to record "Alfie" in a letter from Bacharach - who Black recalls wrote that the song had been written specially for her. Brian Epstein, her manager, was sent a demo[2] of the song, originally performed by 22 year old Kenny Karen, Burt on piano and a string ensemble[3]. Black would recall her negative reaction to hearing the demo "of some fella singing 'Alfie'...I actually said to Brian 'I can't do this.' For a start - Alfie?? You call your dog Alfie!...[Couldn't] it be Tarquin or something like that?"[4]

Black states that rather than overtly decline the song she would set conditions. "I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. [When] the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play [piano] on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out."

I love the entire thing. Bacharach directing and playing piano. The enormity of Abbey Road Number 1 studio. But her singing literally gives me chills. Damn, I love the 60's music era, LOL!

 
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Oh, one other one that seems to get little notice is the lead singer of the Seekers, Judith Durham. Such a strong clear vocal style. Best remembered here for Georgy Girl and I Know I'll Never Find another You they had considerable more success in the UK and also their native Australia.

 
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Oh, one other one that seems to get little notice is the lead singer of the Seekers, Judith Durham. Such a strong clear vocal style. Best remembered here for Georgy Girl and I Know I'll Never Find another You they had considerable more success in the UK and also their native Australia.



She's good. The group harmonies are good to go along with it.

When there's a reference to The Seekers, this is first one I think of (similar structure and key to the song you posted)

 
Juxtaposed w/ the '60s folk example, here's a shift in gears.

Ian Astbury, The Cult

Not exactly a metal band, but got channeled into that niche (partly a matter of timing). Regardless, Astbury is underrated as "arena-rocker" vocalist.



 
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Steve Miller

I’ve long considered Miller one of the classic rock era’s least-appreciated singers. I deliberately chose examples that aren’t his best-known work, to help zero-in on the vocal aspects. Admittedly, these span only a narrow portion of his career. Feel free to expand on it.



I like the variance in his vocal range here.


A mellow/laid back example. Smoothness.

Probably my favorite Steve Miller song:
 
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Not able to post videos right now, but a few to note:

- Shirley Manson - Garbage
- Paul Rodgers - Bad Company
- Michael Hutchence - INXS
- Sia
- Marian Hill - they're sort of synth-pop sexy, and her voice is amazing. Start with "Down"
- Banks
- Blossom Dearie
 
Two unsung heroes come to mind:

George Harrison, who just happened to be in the room with two brilliant suns that obscured his contribution to the greatest of bands; and,

Richard Manuel, soul singer extraordinaire, whose life and recognition was far too short.
 
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