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At about 3:40 it's an interview with Jools Holland and Andy starts to explain some pedal effects. It's pretty cool to hear how a lot of the effects on the records were done right at the guitar and what a technician Andy was (is).I agree with you.... Stewart and Andy are great players. Most people fixate on Sting as the main guy because of his voice. They are definitely a power trio.
100% serious. Frankly, I thought it was my strongest selection and was mad that I didn't post it first.Not sure if serious Velo but Lynne recently recorded a new ELO record on which he played all the instruments. So for Jeff Lynne it's 100% accurate.
I don’t know, I think with REM it might be because he started over singing everything after their drummer left the band. His irritating voice then started to dominate. They were a more balanced band before that.
I agree regarding "balance." I love the thread topic, but R.E.M./Stipe might not be the strongest example (sorry, @Angie --- please don't hate me). Buck's guitar style is a key part of the sound (especially in first few years it set a distinct core), as is Mike Mills' harmony blend with Stipe.
Conspiracy theory: @Angie knew full well what she was doing starting with that post. This thread was bound to evolve into a full scale discussion of band dynamics.
I kind of get this topic, but I kind of don't. Like with REM, you say Michael Stipe and I'll say Mike Mills. His harmonizing vocals are immediately identifiable. You say Thom Yorke, I'll say Johnny Greenwood. The guy is an instrumental genius and one of the more mesmerizing guitar players of our time. And for that matter Phil Selway on drums, I don't think people appreciate what he does with some of the seriously whacked out arrangements that band delivers.
I agree that a guy like David Byrne and his unique voice is the front porch of everyone's perception of the Talking Heads. And that this is the case with other bands like Malkmus with Pavement. Just not sure I agree that you could take Mills away and REM would be the same REM, or that you could take Iha away and Smashing Pumpkins would be the same Smashing Pumpkins, etc.
Alabama Shakes is a great one, and being proven right with Brittany having success as a solo artist currentlyWilco - That's Jeff Tweedy's band all the way.
The National - Hard to imagine any voice other than Matt Berninger singing one of their songs.
Alabama Shakes - Talented musicians, but Brittany Howard's voice drives that whole thing.
I'm trying to think of a non-singer for this but off the top of my head I'm coming up empty. Maybe John Frusciante for RHCP? I mean, they're still big without him but their work with him on guitar is their best.
Loved ELO as a kid (still do). ELO is nothing without Jeff Lynne.
One could say that Queen is nothing without Freddie Mercury - which is true, but Freddie Mercury was also nothing without (and solo from) Queen. I feel like Lynne needed ELO as a vehicle? Does that make sense?
There’s definitely no White Stripes without Jack White.
We could also do one along these lines that, contrary to popular thought, is a one person band. I'm sure a list of those would garner some surprising ones.
Traveling Wilburys has to be in the conversation.Here's something I find interesting.....the Yardbirds had Clapton, Page, and Jeff Beck. First of all, who plays lead? (I'd argue Beck is the finest guitarist of the three, with Clapton a distant third) Second, when did the band disintegrate, and why? (I'm sure several of you know the story, I just haven't researched it.) But I'd argue that this was likely the greatest collection of guitar talent under one roof, ever.
I'm not a fan myself but I'm interested in @cyclones500 's take on Lou Reed/Velvet Underground.