Annoying TV/Movie Tropes

cyphoon

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When the pregnant daughter-in-law of the newly elected, mega wealthy governor drives herself to hospital at night and hits a drunk driver and a buffalo at the same time.

Shark jumping moment right there.

H
 

Lyon309Cy

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The cliffhanger type scenes. Where the hero, or their partner/friend/love interest, are hanging by their fingertips from a ledge for a couple minutes until being saved at the last possible moment.

Also, any labor/newborn baby scene.
 

Mr Janny

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Little movie magic note on that: script called for Indy to fight him, but Ford hurt his back or something, and they switched it to the gun and it’s one of the most memorable moments in cinema.
It was diarrhea. Han Solo had the runs that day, and movie history was made.
 

Mr Janny

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This one isn't a trope, but maybe it should be...


I think I'd rather enjoy it if more movies featured scenes with tough, no-nonsense action heroes, like Charles Bronson, questioning the functionality of various sex toys.

Dirty Harry Callahan - "You recognize these? What are they used for? They're for strengthening your pelvic floor muscles, aren't they? Well, aren't they, punk?"
 
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mschmitty17

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One I can think of off the top of my head is when the bad guy is chasing the good guys and he's walking but the good guys are sprinting and somehow he catches up to them.
 

Clonefan94

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One of my big ones was already mentioned, "Zoom, enhance" But another big one for me is when the good guys are in trouble, in a seemingly inescapable predicament and the one person is so scared they are just blathering, but then say something very clearly and matter of fact (I'm simplifying it) like, "if we only had a tire iron to pry open the door." And the leader of the pack says, "Wait, what did you just say?" so the guy repeats it. Then by repeating what he already heard, the leaders brilliant idea finally comes to light and he uses the tire iron to pry open the door. I mean, by asking him to repeat it, didn't he already have the idea in his head? Did it matter what the person even said, the leader got the idea of what he was going to do.
 
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Bipolarcy

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When a character is about to reveal something big and they get killed.
What I hate is when the show is about to reveal something big and you have to wait until next week to hear it and when they reveal it, it doesn't give you any more answers, just more questions.

I'm thinking of shows like the Black List, Manifest, etc., that have an underlying mystery unfolding during the life of the show that never gets solved even as they solve other, many times unrelated, problems along the way.
 

cyclones500

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The one that I always laugh at is more of a props thing. Every time someone is carrying groceries there is ALWAYS a baguette sticking out of the top.

And it's always in a large brown paper grocery bag. When's the last time you had groceries in one of those?
It has "evolved" somewhat over time. It used to be a stalk/bunch of celery sticking out the sack.

Update: @dahliaclone posted similar response way before I did.
 
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CydeofFries

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I don't know if it's a trope, but I definitely feel like it's becoming one: When a TV show has one random episode that is stylistically completely different from the rest of the show. These episodes are generally artsy/experimental and well-reviewed but by they drive me up the wall since they stop almost all rhythm the series has.

Examples:
Fargo S5: Puppet Show Episode
Ted Lasso: Coach Beard episode
Bojack Horseman: Lost in Translation underwater
Barry: ronny/lilly

I'm not saying these episodes are bad, in fact some are great, but they also aren't the show I wanted to watch. Especially since seasons are only like 10 episodes now. It made more sense to be experimental when there were 24 episodes a season.
 

Mr Janny

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What I hate is when the show is about to reveal something big and you have to wait until next week to hear it and when they reveal it, it doesn't give you any more answers, just more questions.

I'm thinking of shows like the Black List, Manifest, etc., that have an underlying mystery unfolding during the life of the show that never gets solved even as they solve other, many times unrelated, problems along the way.
A lot of shows end up falling victim to this. A cliffhanger can be very effective, but it's easy to overuse them as a way to ramp up suspense. Take a show like Suits, which is entertaining, but very formulaic. So many of their episodes end on cliffhangers where the very fate of the characters hang in the balance. And once that's solved in the following episode, you've got to make the next challenge just as daunting, if not more. So it becomes a cycle of upping the ante on the stakes, until your stories become farcical and contrived.
 
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cyclones500

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The one in “Adaptation“ took me completely by surprise, I’ll say that, but that was a movie that broke a lot of traditional rules.
Good example of a "good" use of that. It was part of "character development" + the scene/setting didn't suggest it was a possibility AND the viewer can see what's about to happen like two seconds before (enough to register, and knowing the people in the car don't realize it).

Kind of a rambling explanation of it, but for anyone who has seen the movie, you know what I mean.
 

Mr Janny

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I don't know if it's a trope, but I definitely feel like it's becoming one: When a TV show has one random episode that is stylistically completely different from the rest of the show. These episodes are generally artsy/experimental and well-reviewed but by they drive me up the wall since they stop almost all rhythm the series has.

Examples:
Fargo S5: Puppet Show Episode
Ted Lasso: Coach Beard episode
Bojack Horseman: Lost in Translation underwater
Barry: ronny/lilly

I'm not saying these episodes are bad, in fact some are great, but they also aren't the show I wanted to watch. Especially since seasons are only like 10 episodes now. It made more sense to be experimental when there were 24 episodes a season.
Depends on how they're used. Look at a show like Community. Many of their best moments are bottle episodes, or gimmicky premises. That's sort of a Dan Harmon signature. Does it with Rick and Morty as well. He leans heavily into that type of thing, and his fans love him for it.
 

Cyclones_R_GR8

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Another prop set thing. I've noticed that almost every door (including the primary front door of the house/apartment) never seem to have a threshold. You can see light coming through. This is in a LOT of shows. Those houses would be cold as **** in winter and every mouse or critter in the neighborhood would be living with those people.

And another 'door' thing. People walk into a house or apartment and it could be a huge blizzard outside and they don't bother to close the door. But it happens a lot. "Hey come on in. Just leave the door open. The heat/AC is on but it's not in the script. so don't bother closing the front door."
Leaving the door open drives me crazy. Another is they hear something in the house at night so they investigate without turning on a single light. "There might be a killer in here but I don't want to waste electricity"
 

cyclones500

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A couple that, although relatively minor, long have annoyed or at least distracted me:

* Lightning and thunder occur simultaneously (almost always on TV shows, movies sometimes it's more realistic, but not often). I realize maybe it's a cinematic challenge to have a flash of light with no immediate boom if you aren't aware of a storm context, but it's used even when you know weather conditions in a scene.

* When a pet dog or cat comes into a scene, and you can see them or their referenced by a character immediately prior, the cat meows once or dog barks once. "Hey, there's Rover!" "Woof!"